Contrary to the Hermaphrodite, the Androgyn resides in a state of gender nullification. Androgynous space is liminal space within which an individual often attempts through action to subvert heteronormative behavior and modes of dress and question the agency of the physical self over the identity of the whole individual. Androgyny is performative gesture that blurs the notion of an identifiable gender - to perform in an androgynous way is a process of rejecting accepted gender norms that confine the fluidity of one’s sexual or gender identity. Androgyny is an in-between space, often activated by an individual or group as a subversive gesture aimed at disrupting the conventional notions of heterosexual livelihood - to incite confusion, question agency over identity, and perhaps generate participation and collectivity. Attard’s portraits construct their own sense of androgyny by piecing together through association different individual gestures, glances, gazes, and postures. The nuances of style comparatively represented in each portrait are placed between the male-female pole where they incorporate cultural elements from each, an aggressively masculine lean-to lends its meaning to a more feminine laying of hands upon crossed legs. In each case the subject’s own visage defies the characteristic of either, or, and neither, and persons appear in each portrait to address the collective confusion that comes with the viewer’s own insistence at regulating identity.